The Kashmir Files box office collection: Rs 200 crore mark crossed by Anupam Kher starrer, beats Akshay Kumar's Sooryavanshi

The Kashmir Files, starring Anupam Kher, Mithun Chakraborty, and Pallavi Joshi in lead roles, continues to break records at the box office. The Vivek Agnihotri-directorial has now crossed Rs 200 crore mark and left behind Akshay Kumar-starrer Sooryavanshi to become the highest-grossing film of the pandemic era.
The Kashmir Files box-office update

The Kashmir Files box-office update

The Kashmir Files, helmed by filmmaker Vivek Agnihotri, has been the talk of the town since its release on March 11. Apart from igniting heated political debates, the film has been shattering box-office records at light speed.
In its latest box-office update, the film has crossed Rs 200 crore mark and entered the coveted club of high-grossing Hindi films. That's not it. The film has in fact left behind Rohit Shetty's Sooryavanshi, starring Akshay Kumar in the lead, to become the highest-grossing film of the pandemic era.
Currently in its second week, the film minted Rs 12.40 crore on Monday, Rs 10.25 crore on Tuesday and Rs 10.03 crore on Wednesday, making its total cross Rs 200 crore mark. The film's total box-office collection currently stands at Rs 200.13 crore.
Trade analyst Taran Adarsh took to social media to share the film's latest box-office update. "TheKashmirFiles crosses ₹ 200 cr mark... Also crosses *lifetime biz* of #Sooryavanshi... Becomes HIGHEST GROSSING *HINDI* FILM [pandemic era]... [Week 2] Fri 19.15 cr, Sat 24.80 cr, Sun 26.20 cr, Mon 12.40 cr, Tue 10.25 cr, Wed 10.03 cr. Total: ₹ 200.13 cr. #India biz," read his tweet.

Apart from the praise The Kashmir Files has received from the film industry and viewers, the film has also received immense appreciation from Prime Minister Narendra Modi. PM Modi also met the team of the film including director Vivek and Pallavi Joshi.
Apart from this, PM Modi also heaped praise on the film and said: "People have been discussing it for the past few days. The people who usually spend their lives advocating for freedom of expression have suddenly got very agitated. They are not discussing the film as a piece of art. Instead, this whole ecosystem is trying very hard to discredit the film."
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